5 Best Lenses For Wedding Photographers With The Sony A7III

Published by Sam, Editor -
5 Best Lenses For Wedding Photographers With The Sony A7III

Sony and other third-party lens manufacturers offer a wide range of lenses that are compatible with the Sony A7III camera. Among the myriad of options available, the task of choosing one can be extremely daunting. Since Sony’s A7III camera is one of the most critically acclaimed cameras due to its full-frame sensor, low-light performance, and responsive processor, choosing a compatible lens needs proper research. Depending on the type of photography you pursue, you can easily find a compatible lens for the Sony A7III camera.

This guide will help you choose the perfect lens for wedding photographers with the Sony A7III.

Sony SEL85F18 85mm F/1.8-22

This lightweight lens is one of the most affordable options and allows you to capture shots that are deeply pronounced. The AF/MF switch lets you operate the lens. With this lens, you will not only receive a bang for your bucks but also achieve quiet autofocus, which is also quite responsive. One downside is that this lens produces hazy or almost distorted images when exposed to direct sunlight. Another praiseworthy feature is its high maximum aperture that produces sharp images. When you shoot using this lens, you can expect a creamy and beautiful bokeh (photographs with out-of-focus areas) that eliminates distractions.

It offers value for money and provides satisfactory results, which is all a photographer wants from their pricey investment. In fact, the amount of sharpness and focus this lens provides is almost equivalent to the results produced by its pricey alternatives. All in all, if you are just starting out as a photographer and are unsure about the type of lens to invest in due to budget restrictions, this lens can be your go-to.

Sony Planar T*FE 50mm f/1.4 ZA

One of the most compatible lenses with Sony A7III, this standard prime lens is designed using 12 elements in 9 groups that help with the focus range. Compared to its counterparts, this lens is a bit heavier and difficult to carry around. The body is integrated with a metal mount and a metal housing, which collectively add quality to its build. High-grade glass is used to construct the optical elements. Furthermore, a focal length of 50 mm gives a 47-degree angle of view, which results in wide shots.

If you set the lens to its maximum aperture, which is f/1.4, you may notice certain points of light fall-off. If you wish to integrate bokeh into your wedding photographs, this lens includes an iris diaphragm, which is constructed with 11 rounded blades to produce bokeh. If you are just starting as a wedding photographer, this option may be a bit out of your budget.

You can consider its cheaper alternatives that offer similar features and specs. However, intermediate and professional photographers must include this lens in their collection.

Sony FE 16-35mm f/2.8 GM (SEL1635GM)

If you need some versatility or uniqueness in your wedding shots, this lens should be your first choice. Ideally, it is used by photographers who shoot documentaries or action scenes. However, it also suits wedding photographs due to its allowance for semi-wide perspective and less distortion. While a “nifty fifty” 50mm lens is always a good idea, a lens with a focal length of 35 mm captures wide landscapes in detail. The aperture range is sharp, and the images produced are excellent in quality.

The only major downside with this lens is that it makes shooting in direct sunlight difficult. When exposed to direct sunlight, it produces a green flare that can ruin the quality of your shots. However, this con can be ignored for the most part as the lens offers versatility. This wide-angle zoom lens weighs 680 grams, which can make carrying it around extremely difficult. However, it survives harsh weather due to its excellent build quality and ability to block moisture and dirt.
Sony FE 70-200mm F4 G OSS

This lens is widely used for wedding and wildlife photography, primarily due to its wide focal range and built-in image stabilization. With this lens, you don’t have to worry about excessive hunting during prime time or golden hour. Even though you may notice a slight change in light fall at f/4, the camera will ensure that the quality of the photo shot is optimum. The rest will be taken care of by a reliable editing software program that edits photos using RAW filters, thereby churning out useful shots for your clients and portfolio. Since the body is made of polycarbonate, the lens is extremely light in weight.

With several physical buttons and controls integrated within the body, you have complete control over the Sony FE 70-200 mm F4 G OSS lens. Among these controls, the most useful ones are image stabilization, switching and locking of focus mode, and model selection.

However, this lens is a bit more expensive than its counterparts. Due to its delicate build, it can break easily, which is why you must be extra careful.

Sigma 14-24mm f/2.8 DG DN Art

This lens is one of the most compatible options that match with A7III’s sensors. It is known as the brightest wide-angle lens and is worth the investment. A rubberized knurling design provides a better grip to the lens, which makes it easier to handle. You can easily toggle between the focus lock button and various focusing modes just by pressing a switch. Whether it’s quasi-macro shots, city and landscape photography, or wedding portraits, this lens can do it all.

Compared to other lenses, the quality of sharpness provided by this lens is excellent. If you need optimum sharpness in your images, adjust the mode between f/5.6 and f/11.

One downside to this lens is that it fails to provide image stabilization and pronounced distortion. You can still turn to this option for its excellent build quality, quick response time, weather sealing, minimal chromatic aberration, and versatility.

These five lenses are extremely compatible with the A7III and offer great value for money. Even though some of these options are a bit pricey, the outstanding results make it worth the investment. Whether it’s a wedding, landscape, or portrait photography, these lenses will not disappoint you.

One Response

  1. Felix de Vega

    It is not easy to say which are the 3 best lenses because each photographer has their own style and preferences, but it is a selection with very good criteria. For the weddings I personally use 85mm, 50mm and 24mm


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